RED BLACK AND BLUE: D-DAY

![]() ![]() ![]() November 9th, 2009![]() November 8th, 2009RBB DAY -1
18. MANU KEY ‘Si Tu Savais’ (2000) I have also been remixed many times: by Etienne de Crecy, General Electrics, Kenny Dope, Switch, Outlines, Surkin, Thomas Bangalter, Brodinski and Joakim. And you know me, I hate to name drop. 19. CSS ‘Music is my Hot Hot Sex’ (2007) Conclusion, an interesting remix offer is like the good news of my every day. An artist I’m a fan of. A label I’d be honoured to have my name associated to. A superstar. A new cat with a good voice. For free or for a whole lot of money. No matter how many times I’ve said (or heard) “I’m not doing remixes anymore!”, I’ll always try to work the magic of the “beatmaking+having fun” formula. Peace to King Tubby, Lee Scratch Perry, Tom Moulton, Larry Levan, Jellybean and Shep Pettibone for starting this whole thing.
![]() November 7th, 2009RBB DAY -2
17. CASSIUS ‘Feeling For You’ (1999)
When I played this mix to the Cassius boys, Boombass told me it sounded like a DJ Premier beat played at 45 rpm instead of 33. It’s about the best compliment somebody ever made to me. One day I might do a mixtape of Hip-hop beats played at Techno tempos. Maybe even produce a whole album of it.
![]() November 6th, 2009RBB DAY -3
16. SANTIGOLD ‘Lights Out’ (2008) The very first remix I did was for LES SAGES POETES DE LA RUE, a french Hip-hop band on MC Solaar’s label – and then Swiss band LES PETITS BOSS on Arsenal Records in 1995. I thank those guys for putting me on. I still remember the feeling of seeing my name printed on a record cover for the first time. Priceless. Coming back to this record, I did this Santigold remix last year for a Budweiser commercial in America. Corporate remixing didn’t stop me from meeting and kicking it with the golden lady, thankfully. Little technical note, this is the first track I produced using only my computer. No external tools, no drum machine, no outboard mixing. Who cares.
![]() November 5th, 2009RBB DAY -4
And then, there are the songs you don’t particularly like. Or that are so far from your field, you don’t even know where to start with. Popular belief amongst my crew is that the less you care for the original, the better the remix will be. Because you have no attachment whatsoever, you can just make a whole new number out of it. I went to Iceland once, to play in Reykjavik. I hung out with the Steed Lords, they were mad cool, they wanted to trade a remix of their single against two pairs of vintage Cazals sunglasses -which was, of course, an offer I couldn’t refuse. One reason I’m happy to have done this, is that they eventually went on to play it live on stage during their concerts. It’s not that often that you hear a remix replacing the original in a band set-list. Also, my friend Bogue played the guitar skank on it. For your info, he also played the piano on ‘Pocket Piano’. He’s dope.
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